... riter preoccupied almost exclusively ith action, both in real life and in the life of his characters, hose inner life is revealed by the actions they undertake. Even the finer sensation of his characters love, fear, loyalty are re-scaled by their physical reactions, thus Macomber is dominated by to conflicting sensations the first one is of terrible fright and the other of unrestrained hatred. In order to render to the reader a feeling of Macombers almost animalic fear, Hemingay operates exclusively on the level of the concrete images of the chase, as perceived by his characters eyes. Macomber perceives all the dangerous anatomical details of the galloping bull ith the accuracy of a camera. He sees the bull bigger and bigger, huge, ith shiny horns, his plunging hugeness. His actions are hasty, precipitated and he tries to shoot at the buffalo from the moving car, afraid of an encounter ith the animal on the ground. Once ilson calls him a fool and he has no fear, only hatred for ilson, his physical reactions change completely. He becomes a self-assured, cool, buffalo killer, aiming carefully at the haunted animals. His total change on the physical level then results in a feeling of drunken elation, symbolic of his nely acquired manliness and self-respect. Macomber experiences danger and his change is obvious. Danger becomes the most challenging test in his experience, being both impressing and exciting. From this point of vie, Hemingay is not only a riter ho copes ith life, ith the problems of violence and death, but also a novelist interested in the fundamental human experiences including fear as a psychological phenomenon inherent in the human condition. It is not only fear hen facing death, but mans dramatic fear of being cut off completely from his fello human beings. His change takes place keeping the calm of the hunting, passing from eakness, coardice and fear through disappointment to confidence and courage, ending in manliness and self-respect. In the course of his short happy life, he develops character and enthusiasm for life. Both ilson and Margot sense the transformation. ilson congratulates him on his entry into manhood, but Margot, ho realizes that she can no longer control him, is furious.Hemingays language relies mostly on nominal parts of speech, hile verbs are used sparingly or are converted into verbal nouns, in order to render their action more dramatically. Thus, condensed noun phrases, as the gray, hairless look of one huge bull, the shiny black of his horns, plunging hugeness, galloping, rounded back reduce the syntax to a minimum. The endless repetition of the conjunction and has a dramatic effect, keeping the readers attention alert. The point of vie is that of omniscient, the author knoing everything hat is happening in the story. Throughout his ork, Ernest Hemingay sent a message to the reader that man can be destroyed, but never defeated. He truly believed in man, in his courage, honesty and above all dignity. .ASaSaauaaaaaDaaK i Normalsac i Heading 1aUiHeading 2aUAiDefault Paragraph FontOHyperlinkbaaai1Times Ne RomanSymbolArialh3bfMSap ERNEST HEMINGAYaAdiaDVDaRoot EntryFniaordDocumentaCompObjjSummaryInformationaaF
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