...next16 tstyrsid3163598 Body Text 2SIts17tql tli0tri0tsb100tsa100tsbauto1tsaauto1tidctlpartaspa
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13tcgridtlangnp1033tlangfenp2052 tsbasedon0 tsnext17 tstyrsid3163598 Normal ebSSIttrsidtbl trsid818324trsid3163598trsid11934393SIttgenerator Microsoft ord 10.0.2627SItinfoIttitle VENERAREA ICOANELOR SI MISCAREA ICONOCLASTASItauthor DanielSItoperator DanielSItcreatimtyr2002tmo5tdy14tmin26SItrevtimtyr
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rsid3163598 trtlchtfcs1 taf0tafs24talang1025 tltrchtfcs0 tfs24tlang1033tlangfe2052tlochtaf0thichtaf0tdbchta
f13tcgridtlangnp1033tlangfenp2052 Itrtlchtfcs1 tabtaf1 tltrchtfcs0 tbtf1tultinsrsid3163598 thichtaf1tdbchtaf13tlochtf1 VENERAREAt ICOANELORt SI MISCAREAt ICONOCLASTASItrtlchtfcs1 taf0 tltrchtfcs0 tinsrsid3163598 tpar Stpardtplain tltrparts16tql tli0tri0tsb100tsa100tsbauto1tsaauto1tidctlpartaspa
lphataspnumtfaautotadjustrighttrin0tlin0titap0tpara
rsid3163598 trtlchtfcs1 taf0tafs24talang1025 tltrchtfcs0 tfs24tlang1033tlangfe2052tlochtaf0thichtaf0tdbchta
f13tcgridtlangnp1033tlangfenp2052 Itrtlchtfcs1 taf1 tltrchtfcs0 tf1tinsrsid3163598 ttttttttttthichtaf1tdbchtaf13tlochtf1 Criza grava provocata de iconoclasm secolele VIII-IX a avut multiple cauze politice, sociale si teologice. Urmand interzicerea din Decalog, crestinii din primele thichtaf1tdbchtaf13tlochtf1 doua secole nu si-au fauritt imagini. Dar in Imperiul de Rasarit, interdictia este ignorata incepand din secolul al III-lea, cand o iconografie religioasafiguri sau scene inspirate din Scriptura isi face aparitia in cimitirele sau lacasurile unde se aduthichtaf1tdbchtaf13tlochtf1 nthichtaf1tdbchtaf13tlochtf1 au credinciosii. Aceasta inovatie urmeaza indeaproape cultului moastelor. In secolele IV si V imaginile se multiplica si cinstirea lor se accentueaza. Tot in aceste doua secole se precizeaza critica si apararea icoanelor. Principalul argument al iconografthichtaf1tdbchtaf13tlochtf1 ithichtaf1tdbchtaf13tlochtf1 lor era functia pedagogica - in special pentru nestiutorii de carte thichtf1 tendash tlochtf1 si virtutile sfintitoare ale imaginilor. Abia spre sfirsitul secolului al VI thichtf1 tendash tlochtf1 leat si in cursul secolului al VII thichtf1 tendash tlochtf1 lea imaginile devin obiect de devotiune si cult, in biserici precum sthichtaf1tdbchtaf13tlochtf1 ithichtaf1tdbchtaf13tlochtf1 in locuinte. Lumea se ruga, se prosterna in fata icoanelor oamenii le sarutau, le purtau in procesiuni. In aceasta perioada vedem marindu-se numarul icoanelor miraculoase thichtf1 tendash tlochtf1 izvor de forta supranaturala thichtf1 tendash tlochtf1 car ocroteau cetatile, palatele, armatele. Intre thichtaf1tdbchtaf13tlochtf1 cthichtaf1tdbchtaf13tlochtf1 ele mai celebre era icoana infatisand chipul lui Hristos din cetatea Edessa socotita in stare sa respinga atacul armatelor persane, sau imaginea lui Hristos zugravita deasupra marii porti in bronz de la palatul imperial din Constantinopol, a carei distrugthichtaf1tdbchtaf13tlochtf1 ethichtaf1tdbchtaf13tlochtf1 re, in 727, va marca debutul iconoclasmului. SItrtlchtfcs1 taf0 tltrchtfcs0 tinsrsid3163598 tpar Stpardtplain tltrpartql tfi720tli0tri0tsb100tsa100tsbauto1tsaauto1tidctlpa
rtaspalphataspnumtfaautotadjustrighttrin0tlin0titap
0tpararsid3163598 trtlchtfcs1 taf0tafs24talang1025 tltrchtfcs0 tfs24tlang1033tlangfe2052tlochtaf0thichtaf0tdbchta
f13tcgridtlangnp1033tlangfenp2052 Itrtlchtfcs1 taf1 tltrchtfcs0 tf1tinsrsid3163598 thichtaf1tdbchtaf13tlochtf1 Asa cum remarcat Ernst Kitzinger, aceasta credinta in puterea supranaturala a imaginilor, presupunind o anume continuitate intre imagine si persoana pe care o reprezinta, este trasatura cea mai importanta a culthichtaf1tdbchtaf13tlochtf1 tului icoanelor in secolele al VI thichtf1 tendash tlochtf1 lea si al VII thichtf1 tendash tlochtf1 thichtf1 lea. Icoana este t93tlochtf1 thichtf1 o extensie, un organ al divinitatii insasit94tlochtf1 .SItrtlchtfcs1 taf0 tltrchtfcs0 tinsrsid3163598 tpar SItrtlchtfcs1 taf1 tltrchtfcs0 tf1tinsrsid3163598 thichtaf1tdbchtaf13tlochtf1 Cultul imaginilor a fost interzis official de imparatul Constantin al V thichtf1 tendash tlochtf1 lea, in 726, si anatemizat de Sinodul iconoclast de la Constantinopthichtaf1tdbchtaf13tlochtf1 ol, in 754, principalul argument teologic fiind idolatria implicata in glorificarea icoanelor. Al doilea Sinod iconoclast, cel din 815, a respins cultul imaginilor in numele christologiei. Caci este, spuneau iconoclastii, imposibil sa zugravesti chipul luthichtaf1tdbchtaf13tlochtf1 ithichtaf1tdbchtaf13tlochtf1 Hristos fara a subintelege si faptul ca reprezinta si natura sa divina ceea ce este o blasfemie sau fara sa separi cele doua naturi inseparabile ale lui Hristos ceea ce ar fi o erezie. Euharistia, in schimb, reprezinta adevarata imagine a lui Hristosthichtaf1tdbchtaf13tlochtf1 ,thichtaf1tdbchtaf13tlochtf1 caci ea este patrunsa de Duhul Sfant astfel, euharistia, spre deosebire de icoana, poseda atat o dimensiune divina cat si materiala.SItrtlchtfcs1 taf0 tltrchtfcs0 tinsrsid3163598 tpar SItrtlchtfcs1 taf1 tltrchtfcs0 tf1tinsrsid3163598 thichtaf1tdbchtaf13tlochtf1 Teologia iconofila cea mai sistematica a fost elaborata de Ioan Damaschinul 675 thichtf1 tendash tlochtf1 749 si Theodor Studitul 759 thichtf1 tendash tlochtf1 826. thichtaf1tdbchtaf13tlochtf1 Sprijinindu-se de Dionisietthichtf1 Areopagitul, cei doi autori subliniaza continuitatea intere spiritual si material. t93tlochtf1 thichtf1 Cum puteti voi, care sunteti vizibili, scrie Ioan Damaschinul, sa ado...
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