Muzica bizantina si populara ...levelnumbersSSItlistname Stlistid-2SSIttlistoverridetableItlistoverridetlis tid-2tlistoverridecount1Itlfoleveltlistoverrideform atItlistleveltlevelnfc23tlevelnfcn23tleveljc0tlevel jcn0tlevelfollo0tlevelstartat0tleveloldtlevelspace0 tlevelindent360Itleveltextt01tu-3913 SItlevelnumbersStf3tfbias0 tfi-360tli720tlin720 SStls1SSIttrsidtbl trsid15471037SIttgenerator Microsoft ord 10.0.2627SItinfoIttitle Virusul HIV devine tot mai rezistent la tratamenteSItauthor IgorSItoperator danielSItcreatimtyr2002tmo9tdy12thr21tmin27SItrevt imtyr2002tmo9tdy12thr21tmin27SItversion2SItedmins2S Itnofpages11SItnofords4302SItnofchars24524SIttcompa ny Dulce CSItnofcharss28769SItvern16437SStpaper11906tpaperh 16838tmargl1273tmargr1273tmargt1417tmargb1134 tidoctrltftnbjtaenddoctnoxlattoyentexpshrtntnoultr lspctdntblnsbdbtnospaceforultformshadethorzdoctdghs pace180tdgvspace180tdghorigin1701tdgvorigin1984tdgh sho0tdgvsho0tjexpandtviekind1tviescale100tpgbrdrhea dtpgbrdrfootthtmautsptnolnhtadjtbltrsidroot15471037 tfet0tsectd tlinex0theadery1440tfootery1440tsectdefaultcltsftn bj Ittpnseclvl1tpnucrmtpnstart1tpnindent720tpnhang Itpntxta .SSIttpnseclvl2tpnucltrtpnstart1tpnindent720tpnhan g Itpntxta .SSIttpnseclvl3tpndectpnstart1tpnindent720tpnhang Itpntxta .SSIttpnseclvl4tpnlcltrtpnstart1tpnindent720tpnhan g Itpntxta SSIttpnseclvl5tpndectpnstart1tpnindent720tpnhang Itpntxtb SItpntxta SSIttpnseclvl6tpnlcltrtpnstart1tpnindent720tpnhang Itpntxtb SItpntxta SSIttpnseclvl7tpnlcrmtpnstart1tpnindent720tpnhang Itpntxtb SItpntxta SSIttpnseclvl8tpnlcltrtpnstart1tpnindent720tpnhang Itpntxtb SItpntxta SSIttpnseclvl9tpnlcrmtpnstart1tpnindent720tpnhang Itpntxtb SItpntxta SStpardtplain ts15tqj tli0tri0tsl360tslmult1tidctlpartaspalphataspnumtfa autotadjustrighttrin0tlin0titap0tpararsid15471037 tfs28tlang1036tlangfe1049tcgridtlangnp1036tlangfen p1049 Itf36tinsrsid15471037 MINISTERUL EDUCAtdeIEI taaI taaTIINtdeEISItinsrsid15471037 tpar Stpardtplain tqj tli0tri0tsl360tslmult1tidctlpartaspalphataspnumtfa autotadjustrighttrin0tlin0titap0tpararsid15471037 tfs20tlang1049tlangfe1049tcgridtlangnp1049tlangfen p1049 Itfs28tlang1048tlangfe1049tlangnp1048tinsrsid15471 037 LICEUL TEORETIC t84NICOLAE IORGAt94tpar tpar tpar tpar tpar tpar Stpardtplain ts2tqj tli0tri0tsl360tslmult1tkeepntidctlpartaspalphatasp numtfaautotoutlinelevel1tadjustrighttrin0tlin0titap 0tpararsid15471037 tbtfs60tultlang1048tlangfe1049tcgridtlangnp1048tla ngfenp1049 Itfs68tinsrsid15471037 tpar REFERATtpar Stpardtplain ts3tqj tli0tri0tsl360tslmult1tkeepntidctlpartaspalphatasp numtfaautotoutlinelevel2tadjustrighttrin0tlin0titap 0tpararsid15471037 titfs28tlang1048tlangfe1049tcgridtlangnp1048tlangf enp1049 Itinsrsid15471037 LA ISTORIA MUZICEItpar Stpardtplain tqj tli0tri0tsl360tslmult1tidctlpartaspalphataspnumtfa autotadjustrighttrin0tlin0titap0tpararsid15471037 tfs20tlang1049tlangfe1049tcgridtlangnp1049tlangfen p1049 Itbtfs36tlang1048tlangfe1049tlangnp1048tinsrsid154 71037 tpar SItbtfs48tlang1048tlangfe1049tlangnp1048tinsrsid15 471037 TEMA SItbtitf36tfs44tultlang1048tlangfe1049tlangnp1048t insrsid15471037 MUZICA BIZANTINtc3 taaI POPULARtc3tpar SItfs48tlang1048tlangfe1049tlangnp1048tinsrsid1547 1037 tpar Stpardtplain ts4tqj tli0tri0tkeepntidctlpartaspalphataspnumtfaautotout linelevel3tadjustrighttrin0tlin0titap0tpararsid1547 1037 tfs24tlang1048tlangfe1049tcgridtlangnp1048tlangfen p1049 Itinsrsid15471037 A EFECTUATtpar Stpardtplain tqj tli0tri0tidctlpartaspalphataspnumtfaautotadjustrig httrin0tlin0titap0tpararsid15471037 tfs20tlang1049tlangfe1049tcgridtlangnp1049tlangfen p1049 Itfs24tlang1048tlangfe1049tlangnp1048tinsrsid15471 037 ELEVA CLASEI 8SItfs24tlang1048tlangfe1049tsupertlangnp1048tinsr sid15471037 ASItfs24tlang1048tlangfe1049tlangnp1048tinsrsid154 71037 tpar SItf36tfs24tlang1048tlangfe1049tlangnp1048tinsrsid 15471037 CALMtc2taa CRISTINAtpar SItfs24tlang1048tlangfe1049tlangnp1048tinsrsid1547 1037 tpar tpar A CONTROLATtpar D-NA LUDMILA STtc2NGACI tpar tpar Stpard tqj tli0tri0tsl360tslmult1tidctlpartaspalphataspnumtfa autotadjustrighttrin0tlin0titap0tpararsid15471037 Itbtitfs52tultlang1036tlangfe1049tlangnp1036tinsrs id15471037 tpar tpar SItbtf36tfs52tlang1036tlangfe1049tlangnp1036tinsrs id15471037 CHItaaINtc3U 2002tpar Stpard tqj tfi142tli0tri0tsl360tslmult1tidctlpartaspalphatasp numtfaautotadjustrighttrin0tlin0titap0tpararsid1547 1037 Itbtfs24tlang1048tlangfe1049tlangnp1048tinsrsid154 71037 1.IntroducereSItfs24tlang1048tlangfe1049tlangnp104 8tinsrsid15471037 tpar Stpardtplain ts16tqj tfi142tli0tri0tsl360tslmult1tidctlpartaspalphatasp numtfaautotadjustrighttrin0tlin0titap0tpararsid1547 1037 tfs24tlang1048tlangfe1049tcgridtlangnp1048tlangfen p1049 Itinsrsid15471037 Avand de a face cu probleme de insemnatate vesnica, este esential ca sa fie pastrata cu claritate in minte puterea uriasa a muzicii. Ea are puterea sa inalte sau sa corupa ea poate fi folosita in slujba binelui sau a raului ea are puterea de a supune firile aspre si necultivate puterea de a inviora gandirea si a trezi simpatia, de a contribui la armonia in actiune, si de a alunga intristarea si acele prevestiri care distrug curajul si slabesc efortul. Educatia, p 168 original. tpar Stpardtplain tqj tfi142tli0tri0tsl360tslmult1tidctlpartaspalphatasp numtfaautotadjustrighttrin0tlin0titap0tpararsid1547 1037 tfs20tlang1049tlangfe1049tcgridtlangnp1049tlangfen p1049 Itfs24tlang1048tlangfe1049tlangnp1048tinsrsid15471 037 tpar tpar tpar SItbtfs24tlang1048tlangfe1049tlangnp1048tinsrsid15 471037 Cum aratau melodiile sfinte de la inceputul zidirii SItfs24tlang1048tlangfe1049tlangnp1048tinsrsid154 71037 tpar Negresit ca erau melodii infinite, asa cum este muzica sferelor care prin miscarea lor in spatii produc o muzica linistita continua. Muzica naturii, a valurilor, a frunzelor, a lanurilor de grau, ne sugereaza intrucatva caracterul acelei muzici date omului odata cu stapanirea asupra Edenului. Ea era fara rimt in acceptiunea moderna a cuvantului, se canta la unison si nu avea un centru tonal de gravitatie. Maniera aceasta de cantare a durat aproximativ cinci mii de ani, mai precis pana la sfarsitul primului mileniu crestin, cand in muzica de cult isi face aparitia cantarea pe doua si pe trei voci in cvinte, cvarte si octave paralele. Noua forma de cant armonic este atribuita calugarului Hucbald, precum si lui Guido d Arezzo, acestia doi fiind cei care au notat astfel de tehnici corale apoi apare sec.XI-XII cantarea in terte si sexte paralele, care in mod curent se numea faux-bourdon. Din aceste tehnici primitive de armonizare se dezvolta la inceputul sec.XIV arta contrapunctului, cu regulile ei precis determinate. tpar Revenind la vechea cantare de cult ebraica putem trage conluzia certa ca ea se executa la unison in trei maniere solo sustinut de cantor, cor la unison dublat de instrumente c... Download |